The Bumbling Man: Weaponized

In rehearsal we have discussed how Gordon weaponizes his “lack-of-power”. He doesn’t know how to do anything, he doesn’t have control over anything, it’s not his fault. A man who uses this excuse has been branded by the media as “The Bumbling Man”

In 2016, in the midst of the Weinstein scandal, Lili Loofbourow published an article “The myth of the male bumbler” – she described them as “wide-eyed and perennially confused”

The world baffles the bumbler. He’s astonished to discover that he had power over anyone at all, let alone that he was perceived as using it. What power? he says.Who, me?

Lili Loofbourow

The bumbler is bad at his job, bad at menial tasks, so unaware of the world around them that they are not responsible for the fallout of anything that they were responsible for or anything they did.

There’s a reason for this plague of know-nothings: The bumbler’s perpetual amazement exonerates him. Incompetence is less damaging than malice. And men — particularly powerful men — use that loophole like corporations use off-shore accounts. The bumbler takes one of our culture’s most muscular myths — that men are clueless — and weaponizes it into an alibi.

Lili Loofbourow

The result of the bumbler at it’s best is that those around him have to pick up the slack (take over organizing office parties, change a diaper, feed the baby) – at it’s worst, the bumbling man uses his personality to get out sexual assault, contact with Russian agents, or complicity.

KYLE:
It’s a peculiar feeling, this kind of love, Gordon.
You have the ability.
Everything, all of it, is made up of people.
With you at the top.
It.
Functions through: people
That make it work and go and people can stop it, when it is not working. For everyone, and say
This is not good.
This can be different.
And better.
Gordon, you can do this.

GORDON:
Who owns–

KYLE:
Gordon–

GORDON:
Anything, really…
…I can’t

KYLE:
You own it.
You can.

p141 – p142

Huffpost article further explaining:
Beware The Bumbler (Huffpost)

I leave you with this quote by Martin Luther King Jr. “Nothing in the world is more dangerous than since ignorance and conscientious stupidity.”

Mimeograph!

Some multimedia snacks to satisfy the mimeograph nostalgists and ink-sniffers alike…

“There was no ink used in the ditto process, which involved elusive ‘master copies’ that the teacher would keep filed away, far away from the reaching hands of students. The master was either typed on, drawn on, or written upon, and a second sheet was coated with a layer of wax that was impregnated with one of a variety of colors, usually a deep purple since that particular pigment was the cheapest, durable and had contrast with the paper. As the paper was hand-cranked through the bulky printer, a pungent-smelling clear solvent was spread across each sheet by an absorbent wick. When the paper came in contact with the waxed original, it would take just enough of the pigment away to print the image on the sheet as it passed under.” (Source)

Vesuvius Part 2 (aka “What is this, Rush?”)

In GREATER GOOD, both Michael and Christine reference the volcano Vesuvius as an image of young black boys finding and explosively using their authentic voices. But this isn’t the only time the play invokes the power of exuberant sound.

Gordon, as head of Gleason Street School, walks us through the way that children loudly playing music invites expression of self, and that the “racket” of such ebullience is fundamental for the growth of the child. In the scene “The Music Lesson; Yes, Mr. Vermeer,” Gordon’s drumming, and the xylophone music played by the audience, are like another Vesuvius — cacophonous and transformational.

GORDON:
My brother’s kid has a drum set.
Electronic.
You practice.
By plugging in a headset.
You hardly make a peep.
My kit.
Was so loud.
Growing up, the funeral home next door on Huron.
Would pay me fifty cents not to play on days they had a service.
Other days it was free-for-all.
Other days it was the rest of the neighbors saying
“That racket”
“What is this, Rush?” “You’re getting the hang, finally”.
No one will say any of these things to my brother’s kid.
Band of one. Alone in his room.
Here we say:
This racket is what connects and binds and the free-for-all is good.

— “The Music Lesson; Yes, Mr. Vermeer,” GREATER GOOD

🥁 🥁 🥁

RUSH, the iconic prog-rock band (1968-2018) known for epic story songs and concept albums, introduced the world to Neal Peart — a drummer considered by many to be one of the greatest artists and technical masters of the form. He is preternaturally fast and precise. And loud. With RUSH’s heyday pegged from the late 1970s into the early 1990s, they’d be a perfect reference point for the neighbors as they yelled at the adolescent Gordon, practicing his drum licks.

Interesting sidebar: the funeral home on Huron (referenced in the excerpt above) is a real place in Cambridge MA, which was just rehabbed and turned into a luxury townhome and put on the market for $2,875,000 😮.
(It’s two doors down from a townie pizza parlor. #gentrification)

Anyway. Check out this killer drum solo from RUSH’s Neil Peart!

Of course the answer is Neal Peart. Duh.

A Primer on Progressive Education

Gleason Street, the fictional school in GREATER GOOD, exists in the lineage of “progressive education.” There are loads of resources out there that discuss the nuances of progressive ed in great detail, but lets begin with an overview. For this purpose, Wikipedia is a good launchpad:

Progressive education is a pedagogical movement that began in the late nineteenth century; it has persisted in various forms to the present. The term progressive was engaged to distinguish this education from the traditional Euro-American curricula of the 19th century, which was rooted in classical preparation for the university and strongly differentiated by social class. By contrast, progressive education finds its roots in present experience. Most progressive education programs have these qualities in common:

• Emphasis on learning by doing – hands-on projects, expeditionary learning, experiential learning
• Integrated curriculum focused on thematic units
• Integration of entrepreneurship into education
• Strong emphasis on problem solving and critical thinking
• Group work and development of social skills
• Understanding and action as the goals of learning as opposed to rote knowledge
• Collaborative and cooperative learning projects
• Education for social responsibility and democracy
• Highly personalized learning accounting for each individual’s personal goals
• Integration of community service and service learning projects into the daily curriculum
• Selection of subject content by looking forward to ask what skills will be needed in future society
• De-emphasis on textbooks in favor of varied learning resources
• Emphasis on lifelong learning and social skills
• Assessment by evaluation of child’s projects and productions

In the 1960s-70s, the number of progressive schools went through a national decline for a number of reasons — some of which are applicable to our own exploration of education and governance in the play. These include:

• The economy: The oil crisis and recession made shoestring schools less viable.
• Non-implementation: Schools failed to implement a model of shared governance
• Interpersonal dynamics: Disagreement over school goals, poor group process skills, lack of critical dialogue, and fear of assertive leadership

In the modern moment, the numbers of progressive schools are on the rise, and are connected to wider regional accrediting bodies. In Massachusetts, the Association of Independent Schools of New England is the central membership organization both accrediting and representing the needs of the independent and progressive school ecology. (And a reminder, that progressive schools and independent schools are not exactly the same.)

Cuts in funding for public education in many states have led to the founding of an unprecedented number of independent schools, many of which have progressive philosophies. The charter school movement has also spawned an increase in progressive programs. Most recently, public outcry against No Child Left Behind testing and teaching to the test has brought progressive education again into the limelight. Despite the variations that still exist among the progressive programs throughout the country, most progressive schools today are vitalized by these common practices:

• The curriculum is more flexible and is influenced by student interest
• Teachers are facilitators of learning who encourage students to use a wide variety of activities to learn
• Progressive teachers use a wider variety of materials allowing for individual and group research.
• Progressive teachers encourage students to learn by discovery
• Progressive education programs often include the use of community resources and encourage service-learning projects.

All grayed-box text has been culled from Wikipedia

Vesuvius Exploding

Mount Vesuvius, the Italian volcano formed by the collision of the African and Eurasian tectonic plates, is invoked by both Michael and Christine as a powerful metaphor. Often, in myth and art, Vesuvius stands in for sudden, unexpected, and violent explosions. It’s the volcano that erupted in Ancient Rome and buried the city of Pompeii and all its inhabitants, with barely a warning. When it last erupted in the 1940s, it spewed ash to such an extent that the gas and ash cloud covered the whole of southern Europe. It’s considered one of the world’s most dangerous volcanoes, and the force of its eruptions has been estimated to release a hundred thousand times the thermal energy of WWII’s Hiroshima-Nagasaki bombings.

The two Vesuvius references in the play are as follows. Both instances connect to Black children, and in particular Black boys, being silenced …then finding their voices.

Michael, in the scene “Toussaint is a Whisper”:

Whatever your head filled up with was meant to be spat back out.
While you sat in your space at that desk.
A lot of the time.
In third grade.
Ms. Watson.
Third grade.
My head just got too full.
Too much would come spilling.
Oh my God it would come spilling out.
Vesuvius.
Sparks, sparks, sparks.
But Ms. Watson.
Was having none of it.
I was sent to the Principal.
The nurse.
The counselor.

“An eruption of Vesuvius seen from Portici” by Joseph Wright of Derby, c. 1774

Christine, in the scene “Athena/Reel 3”:

Okay, okay, okay.
You know what it is.
You know what it is.
You want to know what it is.
I do believe in volcanoes.
I do believe in Vesuvius.
You know what I do not believe in?
Soccer.
Basketball.
Motherfucking football.
If one more person brings a uniform around my kid I swear to God.
You know what it is.
That is not I want.

“The Eruption of Vesuvius” by Sebastian Pether, 1825

Different types of schools (a breakdown)

  • Types of public schools:
    • Traditional public school
      • public schools are operated by local, state and federal government funds
      • need to abide by standards, teachers must have appropriate licenses as mandated by the state and federal government, what is taught is determined at the state and local level
      • average teacher salary: around $44,876
    • Charter school
      • charter schools are free but usually applications must be submitted, spaces are limited
      • anyone can apply for a “charter” to open a school, the state grants charter and provides some funding for 3-5 years, if school fails to meet performance it closes
      • teachers can make decisions about what and how material is taught but must always “perform”
      • average teacher salary: around $46,837
    • Magnet school
      • magnets schools specialize in areas such as technology, science or arts. They are free, students are admitted based on achievements or through a lottery
      • created in the 1970s as a tool to desegregate schools
      • are usually based around districts instead of towns
      • average teacher salary: around $46,324
    • Public virtual (or online) school
      • an option for students to study online as dictated by the public school system. carries same requirements as a traditional public school.
    • career and technical programs
      • high schools that prepare students for technical jobs
      • usually part-time with a typical high school
  • Types of private school
    • Traditional private school
    • Boarding school
      • private school that provides food and lodging, faculty and staff often times live on campus as well
    • Montessori school
      • “Montessori is a way of teaching that honors each child’s individuality and interests, the teacher prepares the classroom, inviting children to explore and learn through hands-on activities.”
      • average teacher salary: $30,000
    • Private special education school
      • private schools that support specific learning differences
    • Parochial school
      • a religious private school that receives it’s funding from a local church
    • Religious school
      • private institution with a religious affiliation, funding comes from tuition

Sources:
https://www.rasmussen.edu/degrees/education/blog/types-of-schools/
https://www.usnews.com/high-schools/best-high-schools/articles/2017-04-25/consider-different-types-of-public-high-schools-for-your-child